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This ASU biographical sketch depicts a man in the 1800's who was consumed by French horn music. As a composer and conductor, he viewed music from many angles. His beliefs about the playing of the French horn are interesting and research-worthy. Main items of discussion are tone, fingering, placement of hand in bell, transposition, and crooks.
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alternate horn fingerings, arizona state university horn studio: henri kling and the valved horn, chromatic horns, fingering chart for the horn, french horn, henri kling, horn crooks, natural horn, placement of hand in french horn bell, transposition of the horn, valved horn, valved horn in the late nineteenth century
Classroom Considerations
- Knovation Readability Score: 5 (1 low difficulty, 5 high difficulty)
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